Artist's Statement
I am a life-long Kansan originally
from Salina but now living in Lawrence where I earned a Bachelor
of Fine Arts degree in painting from the University of Kansas. As
a painter for many years, I have worked in a variety of media including
pastel, acrylic and oil, as well as printmaking processes like lithography
and monoprinting.
Recently, I have been combining these techniques in the form of
collage using found objects such as wood, stones, bones and shells
that may be affixed to a painted background or to a piece of handmade
paper. Attaching objects to the paper with linen cord serves a practical
purpose, and at the same time, the exposed hand-stitching becomes
a design element and adds a desirable texture to the piece.
The initial inspiration for my
art is place, whether known or new to me. I am fascinated with ancient
cultures and have visited many important Native American sites in
the Southwest and the Midwest. I always explore the history of the
place when I am there and images and meanings of the visit soon
appear in my work when I return to the studio.
My inspiration frequently comes
from the land of my native state, particularly the subtle prairie
contours and glorious skies. I have used these elements as either
principal subject matter or as metaphors for the mysterious, inner
landscape of the unconscious.
My ideas are also sparked by
an interest in how myths, symbols and art forms of early cultures
are linked to archetypal imagery. For example, in The Secret
of Sun Mountain and Sun Mountain I refer to the literal
meaning of my Scandinavian family name, but the symbols painted
there are reminiscent of primitive rock carvings. These petroglyphs
often seem very familiar to me and certain shapes and marks, such
as spirals, and sun and moon symbols appear in the art of cultures
all over the world. As modern people we may think we have original
ideas and imagery, but we are inevitably linked to our unknown ancestors
by these archetypal shapes and forms.
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Photo by: Melinda Jarvis Borchert
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